Sunday, November 17, 2013

Interviewing my Grandmother


 A Timeline Oral History of the Life of Me Vang

April 18, 1948 – The blistering day was winding down; all was quiet as the gray slowly covers the sky in the tiny village of Haiho, southwest of Luang Prabang. The family gathered around the fire, waiting for the cry to signal the new baby. The day lengthens into night. The sky becomes black glittering with stars. The family continues to whisper prayers to their ancestors for a healthy baby. Finally, at the rooster’s first crow, a baby’s screeching cry was heard. The midwife ran to tell the waiting group that a daughter has been born and she was named Me for the endless meadow grass. She was the sixth of eight children and the third of four daughters.  The family rejoiced, happy to have another hand to work in the field.

Me’s family was considered wealthy for their abundance in silver bars and animals. The family had about fifty silver bars, 10 water buffalos, two chicken coops, 2 pig pens, and several guard dogs. The entire family, parents, grandparents, two single aunts, a single brother, and all eight siblings all lived together in a one room straw house. Six big beds were built using tree trunks to line up neatly on one side of the house. The fifteen family members were divided to share the six beds. Fortunately, Me and her sisters got a bed of their own to share. The kitchen, living quarters and bedrooms were all in a single open space. Then nearby woods were their bathrooms.

The family grew their own rice and vegetables in the nearby fields. Their daily chores included the adults waking up before daybreak to go till the land and plant new seeds. The elders and young children stay back home to babysit the babies, cook, clean, repair and make new clothing, and feed the farm animals. Play time was limited because there were always chores to get done.

1960 – This was Me’s blissful existence for the first twelve years of her life. Then rumors came that war was heading to their tiny village. There were whispers of men in uniforms killing marching their way, killing unarmed men and their families, including the old, women and children. Me’s father met with his relatives and it was agreed that the clan should move before war reached them. The villagers rushed to pack up what little possessions they had. Me’s parents had too many silver bars to transport so her father buried them in several secret places near the Red Water. He vowed to come back for his silver after seeing to his family’s safety. Me’s father moved them from one village to another, never staying long. After several years of uprooting the family through at least five villages, Me’s father finally settled them down in the small village of Ban Xay. After settling the family down, he secretly made his way back to the Red Water to retrieve his silvers.

1966 – It was in Ban Xay that Me met her husband, Toua Yang. Toua was from a poor family. He has just lost his father and his mother had remarried his father’s younger brother. In the old days, when an older brother passed away, it is the responsibility of the younger brother to marry his older brother’s widow and care for his nieces and nephews as his own.  As with Hmong tradition, Me was “kidnapped” by her husband while she was walking home from the field with sisters. Toua made his intention of marriage clear when he brought Me to his house and his father accepted Me into the family by waving a live chicken over both their head as a blessing. A messenger from Toua’s family was dispatched to Me’s parents’ house to inform them of Toua’s intention and to set a date for a wedding feast, which usually occurred within a few days of the “kidnapping.”

During the wedding, it was customary for Toua to pay a bride price of two silver bars, but because he did not have the money, he only paid one silver bar and promised to pay Me’s parents the other silver bar within the year. This was a hiccup in their wedding ceremony because it shows Toua’s lack in wealth. To further embarrass Toua and his family, Me’s father gifted her with two silver bars, one water buffalo, thirteen hand-made traditional skirts, six traditional dress shirts, and one silver necklace. After the wedding, Me came to live with Toua’s family of six; Toua’s mother, his step-father, two brothers and a sister. Toua’s family also farmed for a living. The daily chores were just as Me’s were before she married, but this time it was work for her new family.


1973 – Me’s days continue on like this for many years. She and Toua tried to have children but could not. One day, during a trip to the big town to trade for supplies, Toua met a lady by the side of the road begging people to take her child. She was sick and unable to care for her anymore. The child was barely two years old. She looked hungry and dirty. Toua took one look at her and feel in love with the child. He brought the child home and Me was hesitant at first but eventually feel in love with the little girl as well. The little girl is my mother. 

------------------------------------------------------------------------------------------------------------
Hmong Traditional Clothing


Wednesday, November 6, 2013

Preserving my Family's Lao Silver Bars

In this post, I will be preserving my families Lao Silver bars. Because the bars were made from Sterling silver, I employed several measures to ensure the metal would not deteriorate.



1. To prevent scratches and other damages, each piece is stored individually in its own compartment.

Here I have a container that is made from Nylon. Each of the bars is placed in its own compartment.


2. Store in tarnish-resistant case.

I put the bars in a case that would keep out moisture. The box has foam padding that can be placed on top of the object to create an almost airtight environment.


3. Store in a cool, dry place - preferably air-conditioned.

I stored the container in a shelf in one of our living rooms. It is far away from any bathroom, so moisture is not an issue. By placing the case in the shelf, I also protect the bars from any sunlight.


Analyzing my family's Laos Silver bars


These are Lao Silver bars, passed down through my family since the early 19th century. These silver bars were made as tools for religious ceremonies and as a form of currency. These bars were a very valuable item in Laos, as they were also a symbol of status. The older the bar was, the more it was respected as "old money". The main way to identify the worth of each piece is to look at the weight. To put the worth of the silver bars into perspective, just 5 half-pound pieces could buy a 500 pound cow. Additionally, the bars could be used to "buy" a bride. The engravings on each piece are inspired by the Dok Phikoun flower, and was originally only intended to be currency for the royal family.





The silver used to create the bars is actually sterling silver (92+%). From what my family has told me, it would reduce the worth of the bars if one was to clean them, as it essentially removes its history. Each bar in its current condition is worth $200-300 USD online.

These Silver bars are priceless antiques that have helped me learn a lot about the history of my family and my native country. I hope then when they are passed to me from my parents I am able to inform others about how important the bars were to those living in Laos and those that came to the United States.